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Julie Herndon

composer | performer | sound artist
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Recent Work

1-2 players

Electronic Etudes (2024) 35’ /// solo piano, synthesizer, and electronics

Together (2023) 15’ /// violin and viola /// for andPlay

Circle of (2022) 2’ /// solo piano and playback /// for Nic Gerpe

Mirrors (2021) 10’ /// solo piano /// for Simone Keller

Reflections (2021) 2’ /// solo cello /// for Seth Parker Woods

Ghost (2021) 4’ /// piano and percussion /// for Ian Rosenbaum and Stephen Gosling

Move You Move (2019) 17’ /// guitar and percussion /// for The Living Earth Show

of a Touch (2019) 9’ /// solo violin + amplification /// for Marco Fusi

A Long Postlude (2018) 6’ /// solo voice and light bulbs

Singularity (2018) 8:30’ /// singing cellist /// for Helen Newby  

You Can Only (2016) 8:30’ /// cello and MIDI Controller /// for Retro Disco

Edges (2015, rev. 2016) 7’ /// flute, organ, and electronics

On What Cannot (2016) 5’ /// piano and electronics (arr. voice, flute, violin, piano, 2017)

Real Life Looping (2014) 4-7’ /// voice/woodwind and piano

3-4 players

When the machine rhymes with my body (2022) 13’ /// piano quartet /// for Kukuruz

A Virtual Ghost (2021) 12’ /// string quartet /// for the JACK Quartet

Shadow Prism (California Ecology) (2021) 6’ /// flute, saxophone, piano /// for Sl(e)ight Ensemble

Out of This (2018) 5’ /// flute, clarinet, percussion, piano /// for Portato Portato and TAK Ensemble

To Speak (2017) 12’ /// string quartet /// for the JACK Quartet

Transparentudes (2017) 9’ /// percussion trio, light, and electronics /// for Line Upon Line

Writing the Letter (2017) 6’ /// string trio and electronics /// for Left Coast Chamber Ensemble

Why Did You Do This (2017) 8’ /// graphic score for string quartet and voice /// for Majel Connery and the St. Lawrence String Quartet

Swimming (2015, rev. 2016) 10’ /// graphic score for two B-flat instruments and piano  

5+ players

7 Words (2018) 10-12’ /// graphic score for mixed ensemble /// for Forest Collective

Visible (2018) 6:30’ /// video score for woodwind septet /// for Elevate Ensemble

I Can Take (2018) 10-12’ /// octet /// for Ensemble Proton Bern
(fl. ob. cl. bsn. hp. pno. vln. vc. with light bulb conductor)

Fray (2014) 3-9’ /// 8+ instruments /// for the Mills Improvisation Ensemble

Follow a Line (2013) 5-10’ /// 5+ instruments

orchestral

DIRT (2024) 10’ /// 3(1picc).3.3.2.4.3.3.1/perc/pno/str/elect. /// for the Cal Poly Symphony

choral

Mouth (2023) /// SSAA choir /// for the Peninsula Women’s Chorus

But Now (2018) 5’ /// two-part choir /// for Voci Women’s Vocal Ensemble

Am an Ocean (2016) 5' /// SSAA choir (arr. SATB) /// for Voci Women’s Vocal Ensemble

opera & music theater

Extensions (2022) 75’ /// theater /// ox&öl productions

At That Time (2021) 20’ /// sop. cl. pno. z. perc. vc. /// for Decoder Ensemble

Wanted to (2019) 6” /// 2 sopranos, chamber ensemble, cellular phones and clay vessels /// for Ensemble Dal Niente

installation

Biophilic Instrument Pavilion (BIP) (2024) /// Design Village, San Luis Obispo

Shadow Prism (2021) /// California Ecology

Leaf in Isolation (2020) /// Museo de Arte Contemporáneo de Oaxaca

Home on the Frontier (2015) /// Megapolis Audio Art Festival

Scores available online  or for purchase from ootootoo

contact julieherndon [at] gmail [dot] com for scores and parts

julieherndon [at] gmail [dot] com